Kochi, Mar 13: Priya Ravish Mehra’s participation at the Kochi-Muziris Biennale unravels a rare technique of woven tapestries, combining fragments of discarded weaves with paper pulp.Priya’s experimentation with fibres has its roots in her childhood in Najibabad, a town in Uttar Pradesh. Local rafoogars, or darners, regularly brought antique shawls from Kashmir and other precious fabrics to her family home. As the traditional darning skills were passed down from one generation of artisans to another, a young Priya was increasingly drawn towards the world of textiles. For the artist, who died last year at the age of 57 after suffering from cancer, her work has metaphorical meanings that represent the act of repair as a response to sudden disruptions in the general order of things. “I employ the metaphor of rafoogari or traditional darning to invoke sudden, unexpected and violent rupture in our daily experience. It is a symbolic affirmation of the place, significance and act of existential ‘repair’,” the artist had said about her work. According to the biennale, Priya’s woven tapestries deploy the metaphor of rta, suggesting cosmic order or truth, which is a Hindi term used in Indian philosophy. Elaborating on the artist’s practice, Anita Dube, the biennale curator, says Priya had, in some of her early works, tried to convey the realisation about these universal rhythms of rta. “In the body of work on view here, she has extended the idea of invisible repair in the rafoogari process by using fragments,” she adds. An exhibition of Priya’s works, on view at Aspinwall House, includes many of her innovative mixed-media works and early textiles, where she has used wood, fiber, paper and cloth. Scrolls and tapestries hanging from the ceiling, and a wide range of works mounted on the wall form part of the presentation. A particularly striking piece of work is a large hand-done darn on Pashmina cloth that stands out for its innovation and beauty. In other exhibits, the artist has used nature dyes on cloth, which are seen alongside mounted works made out of twigs, thread and paper pulp. Filled with shades of blues, off-whites and browns, her abstract works have been created in disparate styles and sizes, revealing the scale of her artistic imagination. The wide range of materials that she has used in her art blend into each other seamlessly, creating an interesting form of interdependency between them. However, Delhi-based Gallery Threshold believes there is very little known about Priya’s art. “Her work is very unique and the world has not heard about it enough as yet,” says gallery director Tunty Chauhan, who curated a solo exhibition of the artist’s works at her gallery in 2017. Gallery Threshold, along with members of the Mehra family, has lent project support to Priya’s biennale presentation, which displays 56 works created by her. Known for her multiple roles as a textile artist, weaver, designer and researcher, Priya’s formal training in art began with a fine arts course, where she specialised in textiles, from West Bengal’s Visva-Bharati University, Santiniketan. She later studied tapestry at West Dean College, Sussex, and pursued an advanced tapestry course at the Royal College of Arts, London. As part of the Asian Cultural Council Grant, she studied the maintenance and preservation of Indian textiles, especially Kashmir shawls, in public and private collections in the US.
In Madhvi Parekh’s biennale works, tradition and modernity intersect
Chittaprosad’s stark images of Bengal famine find context at Kochi biennale
How to judge an artwork? Swiss artist Thomas Hirschhorn has some cues
Biennale workshop sketches ideas to transform local sights into comic strips
Students’ Biennale: Abijith’s little clay portraits line up images from his past
Travelling artist at biennale reveals secret ways to enjoy subtleties of sound
“The fourth edition of Kochi-Muziris Biennale runs from 12 December, 2018 – 29 March, 2019.“ Venues are open every day from 10 AM – 6 PM. Tickets are available for purchase for ₹100 at Aspinwall House.
By Air: Fort Kochi is 45 km from Kochi International Airport, Nedumbassery. By Train: Fort Kochi is 13 km from Ernakulam Junction (South) Station and 16 km from Ernakulam Town (North) Station. By Boat: Fort Kochi is 20 mins from the Ernakulam Boat Jetty and 10 mins from both Willingdon Island and Vypin Boat Jetty. By Bus: Fort Kochi is 15 km from the main bus station in Ernakulam.